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some shots from last weekend in Vasto....

Richard Avedon in Forma, Milano

a tour at Richard Avedon's exhibition, Forma Milan...

(from www.formafoto.it)
Richard Avedon (1923-2004) is universally considered one of the world greatest photographers: without his work it would be impossible to write the history of photography.
For more than 50 years Richard Avedon was one of the biggest names in the fashion industry. In fact his fashion photos were the basis for the first retrospective of his work held, in 1962, at the Smithsonian Institution of Washington, D.C. This first major exhibition immediately revealed, even to his most prudent critics, that his work and vision were one with the history of art. Drawing inspiration from Martin Munkacsi, Avedon invented a new way of making his models expressive. Rather than just “clothes horses”, his models appeared as real people, personalities; his photographs transformed the rather dry, boring fashion photo into something real and alive.
In parallel with fashion photography, Avedon also worked on portraits, which he imbued with a dark, emotionally charged mood and unique intensity. One usually expects portraits of statesmen, artists and actors to be rather static and rigid, but Avedon destroyed the picture-postcard icon. Whether his subject was a film star like Katherine Hepburn, Humphrey Bogart, Brigitte Bardot, Audrey Hepburn, Marilyn Monroe, Buster Keaton or Charlie Chaplin, or such important figures as Karen Blixen, Truman Capote, Henry Kissinger, Dwight D. Eisenhower, Edward Kennedy, The Beatles, Andy Warhol or Francis Bacon, each portrait leaves a lasting impression and gives us an idea of the public and private face of the person portrayed.
The Richard Avedon. Fotografie 1946-2004 exhibition features more than 200 memorable photographs which trace the great photographer’s career from the beginnings to his last years. From his first photos taken in 1946 when he went to Rome and Sicily in the aftermath of World War II, to the pictures that capture an era, such as those taken on New Year’s Eve 1989 at the Brandenburg Gate just two months after the fall of the Berlin Wall. And his last portrait, of the singer Björk, taken only four months before his sudden death while on assignment for The New Yorker. Photos that contributed to the history of photography. Photos whose power and intensity establish them as compelling, fascinating icons of our times.

going to Cantabria

Cantabria and the Basque Country are a wonderful, low-cost fly escape from Milan. Land is beatiful, food fantastic, people nice. What else? Oh, yes, waves!!!

the Guggenheim Museum in Bilbao

(taken from wikipedia)

"The Guggenheim Museum Bilbao is a modern and contemporary art museum designed by Canadian-American architect Frank Gehry, built by Ferrovial and located in Bilbao, Basque Country, Spain. It is built alongside the Nervion River, which runs through the city of Bilbao to the Atlantic Coast. The Guggenheim is one of several museums belonging to the Solomon R. Guggenheim Foundation. The museum features both permanent and visiting exhibits featuring works of both Spanish and international artists.

The curves on the building have been designed to appear random. The architect has been quoted as saying that "the randomness of the curves are designed to catch the light". Designed by Canadian/American architect Frank Gehry and opened to the public in 1997, it was immediately vaulted to prominence as one of the world's most spectacular buildings in the style of Deconstructivism. Architect Philip Johnson called it "the greatest building of our time".

The museum's design and construction serve as an object lesson in Gehry's style and method. Like much of Gehry's other works, the structure consists of radically sculpted, organic contours. Sited as it is in a port town, it is intended to resemble a ship. Its brilliantly reflective titanium panels resemble fish scales, echoing the other organic life (and, in particular, fish-like) forms that recur commonly in Gehry's designs, as well as the river Nervión upon which the museum sits. Also in typical Gehry fashion, the building is uniquely a product of the period's technology. Computer Aided Three Dimensional Interactive Application (CATIA) and visualizations were used heavily in the structure's design.

Computer simulations of the building's structure made it feasible to build shapes that architects of earlier eras would have found nearly impossible to construct. It is also important to note that while the museum is a spectacular monument from the river, at street level it is quite modest and does not overwhelm its traditional surroundings. The museum was opened as part of a revitalization effort for the city of Bilbao and for the Basque Country. Almost immediately after its opening, the Guggenheim Bilbao became a popular tourist attraction, drawing visitors from around the globe. It was widely credited with "putting Bilbao on the map" and subsequently inspired other structures of similar design across the globe, such as the Cerritos Millennium Library in Cerritos, California.

The building was constructed on time and budget, which is rare for architecture of this type. In an interview in Harvard Design Magazine Gehry explained how he did it. First, he ensured that what he calls the "organization of the artist" prevailed during construction, in order to prevent political and business interests from interfering with the design. Second, he made sure he had a detailed and realistic cost estimate before proceeding. Third, he used CATIA and close collaboration with the individual building trades to control costs during construction."